Impala: Paradigm of Perfection

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Two impala antelope (Aepyceros melampus) pose beautifully for the photographer. The impala is the paradigm of perfection in itself being one of the most efficient grazer/browser antelopes in Africa, yet the most common and probably the least photographed.
(Canon 50D; f/5.6; 1/250sec; ISO-640; 285mm)

Picture ©2010 Andrew Field – Simply Wild Photography


Impala Harem


A herd of Impala (Aepyceros melampus) ewes, posing with grace, blending with the colour of the surrounding bush. This antelope is a major food source for predators.  Impala defenses include an acute sense of hearing, sight and smell, scattering the herd to create confusion, their speed and ability to leap both high and far when under immediate threat.
Population Trend : Stable; Threat: Least Concern – Source IUCN
(Canon EOS 50D/ EF-S18-200mm; 1/2000 sec; f/5.6; ISO 1250; 200mm)

Picture ©2011 Andrew Field – Simply Wild Photography

Digital Photography Terms
Juxtaposition occurs when there are two or more elements, usually side by side, in a frame that either contrast or contribute towards the overall theme on an image, to bring our a specific quality of create an effect.

“What my eyes seek in these encounters is not just the beauty traditionally revered by wildlife photographers. The perfection I seek in my photographic composition is a means to show the strength and dignity of animals in nature.”

– Frans Lanting

Waterbuck Exile


An Impala ram strolls past two male Waterbuck (Kobus ellipsiprymnus), that seem to be bonding, yet could well be joisting, while catching the last rays of sunshine filtering through the canopy. Young waterbuck males are usually driven from the herd into exile at that tender stage just past weaning and this could be the herd bull doing just that in a gentle way. The youngster will hang about within the vicinity of the herd until he bonds with a bachelor group of sub-adult males, and then make his own way in life. The waterbuck is low risk, but conservation dependent with populations declining (assessed to be circa 105 thousand in the wild).
(Canon EOS 5D Mk III/ EF100-400mm IS II USM; 1/250 sec; f/5.6; ISO 320; 400mm)

Picture ©2016 Andrew Field – Simply Wild Photography

A-Z of Photography

Bokeh is a Japanese term (derived from boke) that refers to the pleasing or aesthetic quality of the blur in the out of focus part of a photograph, and is a subjective aspect of the image. It is sometime defined as the way a lens renders out of focus points of light. With some skill, photographers can achieve creative images with impact using just the image bokeh.

“I came from the outside, the rules of photography didn’t interest me… there were things you could do with a camera that you couldn’t do with any other medium… grain, contrast, blur, cock-eyed framing, eliminating or exaggerating grey tones and so on. I thought it would be good to show what’s possible, to say that this is as valid of a way of using the camera as conventional approaches.”

– William Klein

Elephant and Impala at Sunset


Mana Pools at sunset experiences the most extraordinary change in light and photo opportunity, but the window is often small. Frequently, this is a time when one just lowers the camera, observes, and enjoys.
Population Trend : Increasing; Threat: VulnerableSource IUCN
(Canon EOS 5D Mk III/ EF100-400mm IS II USM; 1/350 sec; f/5.6; ISO 1000; 400mm)

Picture ©2016 Andrew Field – Simply Wild Photography

A-Z of Photography
Hyperfocal Distance is the distance of the nearest object in a composition that is acceptably sharp when the lens is focused on infinity (or the distance). Focusing on objects at the hyperfocal distance ensures sharpness of the image from half way between the photographer and the hyperfocal point into infinity. As the aperture of the camera is closed or tightened (i.e. increasing the f/stop) the hyperfocal distance is reduced.

“A landscape image cuts across all political and national boundaries, it transcends the constraints of language and culture”

– Charlie Waite

Lone Impala Framed

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An Impala (Aepyceros melampus) ram, protecting his patch, is framed on the flood plain, with the haze saturating through the trees, giving off a misty aura, in the beauty of an early Mana Pools morning. It does not get better.
(Canon EOS 5D Mark III / EF100-400mm IS II USM +1.4x III; 1/160 sec; f/9; ISO 640; 560mm)

Picture ©2015 Andrew Field – Simply Wild Photography

A-Z of Photography
Zoom lenses, also known as parfocal lenses, maintain focus when the focal length is changed, giving rise to the term zoom-creep in some lenses when the lens is pointed up or downwards (overcome by some manufacturers with zoom ring resistance adjustments). Some lenses are varifocal, losing focus during zooming, so zoom creep can be a serious annoyance. Zoom lenses suffer loss of image resolution at the extremes of their focal length.

“One glibly despises the photographer who zooms in on the starving child or the dying soldier without offering help. Writing is not different.”

– Alan Bennett – 2006

This image, and others of your selection, can be acquired from the author printed on fine art canvas of photographic paper for wall mounting.
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Stuck in darkest Africa, lost in the wild and loving it! Don’t let me out of here…